Gay? Check! Brit flick? Check!
Set in the 1980’s, a London Pride movement make an unlikely pairing with Welsh miners as they work together in resistance to the Thatcher government.
The Guardian describes it as,
Billy Elliot continued with rousing gay rights romance set during miners’ strike
What’s not to like?!
For the full review from Cannes check out Peter Bradshaw’s review on the Guardian website here.
I have a confession. I am not very good at films. ‘Sunshine on Leith’ was my idea of a life changing film and so let’s be honest, high culture is just not my thing. When the LGBT short films at the Glasgow Film Theatre came into my field of vision I was torn: I will basically go and see/do/dance at anything remotely queer, but short films sounded all a bit high-brow. What could I lose?
The Glasgow Film Theatre is super cute tucked away just up Sauchiehall Street and well worth a visit if you’ve not been. Big comfy seats, a cute (if somewhat compact) bar upstairs, but I would recommend taking your own snacks. It was Sunday night, which I personally think is the perfect night for peanuts and movies, but apparently Glasgow disagreed. The screen was very quiet, like handful of people quiet. And men in abundance. Queer women: where are you?
The films were all finalists from the Iris Prize – an LGBT film festival in Cardiff (see I’m learning). As a total rubbish film-goer I was amazed at just how much could be conveyed in ten to fifteen minutes. And, as someone with quite a short attention span and a vivid imagination for filling in the gaps in quite sparse storylines – I loved it!
I won’t lament over all the details of the films, but as a quick rundown. A beautiful coming-of-age story about a young romance between two young disabled men in ‘For Dorian’; a heart-achingly personal story from Gustavo from San Francisco about his night-time transitions into Donna, and his inspiration: ‘My mother’; a surreal film, including an interpretive dance called ‘Gorilla’ about two young men defining their budding new relationship; and ‘Boys Village’ about the ghost of a child, trapped in time, watching the camp in which he died in destroyed by 21st century thugs as he sought out his first kiss across the boundary of life and death.
But it was ‘Burger’ that really struck me. Set in a chippie at kicking out time, ‘Burger’ provided a snapshot into the lives of three groups of friends. ‘Burger’ was incidentally queer, as opposed to explicitly so, but resonated as I am a habitual eavesdropper and often end up in a chip shop at the end of a night out. The setting reminded me slightly of Canal Street, and the combination of bright lights, dance-dishevelled clothes, and make-up coloured tears struck a chord with me – definitely worth a watch if you get the chance.
I think it’s really important to support queer events, and I would go to the opening of a queer envelope. The positive portrayal of queer people in the media and mainstream culture is so few and far between that I want to support it when there is opportunity. But there was just one itsy bitsy thing that annoyed me: there were no women who sleep with women represented. Let me repeat that for you: no women who sleep with women. Five short films, and…
not one single woman who sleeps with women
Queue a train ride back to Edinburgh with me planning all the films I was going to shoot which would only feature women who sleep with women… The fact is I might have a fab imagination, but I can barely take a holiday snap on a disposable camera without causing a disaster, let alone make a short-film. However, you dear reader, you are probably far more competent at life than I and so if you are indeed a budding film maker and think you might have a fab idea (or even a vague idea) for a short-film featuring women who sleep with women, then please (please) check out: http://www.irisprize.org/submissions-guidelines/